By Honorary Reporter Ghada Mohamed Ali from Egypt

In the world of TV series, few have captivated viewers with stunning visual storytelling like the Netflix hit supernatural drama "Gyeongseong Creature" (2023). 

With its richly imagined universe and intriguing blend of fantasy and historical elements, the series has garnered critical acclaim for immersive storytelling and visually stunning cinematography. To delve into the secrets behind its breathtaking visuals, I interviewed Song Yo-hun, the cinematographer who helped bring this magical world to life, from Jan. 7-24 via email. 

Majoring in English and military studies at the Korea Military Academy and later studying documentary directing at Korea National University of Arts, Song was a military officer before discovering his passion in cinematography, especially for documentaries. 

He eventually explored other genres and transitioned to dramas. Joining Seoul Broadcasting System, he worked on genres like culture, entertainment and drama but said he remains open to any.

Song highlighted the differences he discovered when transitioning from documentaries to dramas. In documentaries, he said, capturing genuine moments of the main characters can be unpredictable, while the emotions of the cast in a drama can be directed and guided. 

This perspective has since evolved, he added, as regardless of genre, the bond between the camera and subject is crucial. Whether for a documentary or drama, he said respect for the subject whether a person, animal or object should always take precedence.

On his approach toward "Gyeongseong Creature," he said, "Despite the fantastical elements, the heart of the drama lies in human stories. I aimed to focus on capturing the emotions between the cast. To keep actors in sync, I devised filming techniques and diligently applied them, ensuring that the performances were effectively conveyed through the lens."

In crafting the visual language of the series, he considered camera techniques and equipment to enhance the storytelling and capture specific emotions. Collaborating closely with the director, he selected camera equipment and lenses that complemented the script and conveyed the intended vision. Lighting setups were also carefully planned to create the desired atmosphere. 

Looking back at his previous drama, the hit gangster series "Vincenzo" (2021), he compared shooting an action series to a fantasy action drama like "Gyeongseong Creature." 

Song said, "I enjoy filming action sequences and had good chemistry with actor Song Joong-ki in 'Vincenzo.' The realistic portrayal of action scenes in that drama, with Song performing most of his stunts, allowed me to capture the intensity and authenticity on camera." 

"In contrast, "Gyeongseong Creature" incorporated computer-generated imagery for its action scenes, so I had to balance the pre-visualized graphics with the filming process. Despite the differences, I found fulfillment in both experiences and enjoyed the challenges and rewards each project brought."

In the future, Song said he wants to explore the historical genre given his fascination with historical dramas and foreign historical documentaries, especially those on Egyptian history. Furthermore, he wants to work abroad and collaborate with foreign talent to advance his cinematographic repertoire.

jihlee08@korea.kr

*This article is written by a Korea.net Honorary Reporter. Our group of Honorary Reporters are from all around the world, and they share with Korea.net their love and passion for all things Korean.